We have a large screen behind the stage and projection capabilities from stage or from the FOH.

FOH Console: Midas Venice F32 (Analog console w/firewire send + return on all channels; 20 channels snaked to stage; 4 band sweepable parametric EQ on all channels; 4 monitor mixes and 2 FX sends; 4 mono / 2 stereo sub-busses)
1x Nexo NXAMP 4×4 Speaker controller / amplifier (crossover @ 80Hz)
2x Nexo GeoS1230 Line array loudspeaker (L / R; flown vertically and inverted)
1x Nexo RS15 2×15″ Subwoofer
1x Nexo LS500 1×15″ Subwoofer
4x Yamaha DXR12 12″ Active 2 Way loudspeaker (Floor monitors)
1x Mackie SRM1801 1×18″ Active 1×18″ subwoofer (Drum sub monitor)

1x Xilica XP8080 8 in / 8 out digital signal processor (graphic EQ and bus compression/limiting on mains + subs + monitors; controlled from computer via USB link)
4x dbx 166 2 channel compressor/limiter/gate (8 channels total)
1x FMR RNC stereo compressor w/sidechained dbx 263 de-esser (generally used for parallel vocal bus duties)
1x TC Electronic M300 Dual Engine FX processor
2x Furman Power Conditoner
Additional processing is possible via firewire send/return from Midas console to computer: inquire with house sound engineer for details.

2x Shure Beta 58A
2x Shure SM58
2x Audix OM7
2x Sennheiser e835
2x Shure Beta 57A
7x Shure SM57 (3 w/ drum mounting hardware)
3x Sennheiser e604
1x Shure Beta 52A
1x Audix D6
2x Naiant MSH-1 (miniature omni condenser)
A good selection of mic stands, cables, adapters, clips etc.

2x Radial JDI Passive DI
2x Radial ProD2 Passive 2 channel DI
2x Radial AV2 PC/IPOD/line input 2 Passive 2 channel DI
Stage Dimensions: 16′ wide, 12′ long, 2.5′ high w/ swanky sound padding behind performers. We also have a large mounted projector screen behind performers.

Stage Dimensions: 16′ wide, 12′ deep, 2.5′ high. A projector is mounted on the house / front fill lighting truss and a large retractable screen is mounted on the upstage lighting truss. Projection controlled via VGA send from either mixing station or onstage. Various VGA adapters (e.g. for a variety of generations of Apple laptop display ports) are on-hand.

The room has been professionally acoustically treated (stage decoupled from floor; bass trapping beneath stage; diffuser / absorber panels upstage of performers; flown acoustic cloud above stage) .

All production inventory is subject to change, for example due to equipment in for repair or replacement.

Touring engineers at The Pinhook are expected to be respectful of the space and the equipment, and to comply with the verbal input of the house engineer. House sound engineers reserve the right to replace a touring engineer at any time, as well as to make final decisions regarding bus compression, limiting etc as deemed necessary to protect the equipment.

Bands are responsible for any and all damages to equipment due to band and/or touring sound engineer negligence.