Inter Arma

Inter Arma

Tooth, Bvnnies

Sat, September 1, 2018

Doors: 8:00 pm / Show: 9:00 pm

The Pinhook

Durham, NC

$10.00 - $12.00

This event is all ages

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Inter Arma
Inter Arma
"The worst band from Richmond, VA...EVER."

2006-2008:
Multiple demos (one live, one studio and a Macrock festival version), local and regional shows.

2009:
"Sundown" CS (DIY), east coast tour w/Balaclava.

2010:
"Sundown" LP/CD (Forcefield/Mirror Universe) and split 7" w/BATTLEMASTER (Mirror Universe) released, east coast/midwest touring, full U.S. tour #1 w/Bastard Sapling.

2011:
More east coast/midwest touring.

2012:
"Destroyer" EP LP (Toxic Assets) released, Full U.S. tour #2.

2013:
"Sky Burial" 2xLP/CD (Relapse) and "Destroyer" EP CD (Gilead Media) released, full U.S./Mexico tour #3 w/Mutilation Rites, additional U.S. touring w/KEN Mode, Earthling, Woe and Black Tusk.

2014:
"The Cavern" LP/CD (Relapse) released, European tour #1 w/Windhand and Indian, Roadburn Festival, U.S. touring with Russian Circles, Ulcerate and KEN Mode. European tour #2 w/Mantar.

2015:
Sky Burial CS (Tartarus) released, full U.S tour #4 w/Yautja, Maryland Death Fest, additional U.S. touring with Kylesa, Indian Handcrafts and Set and Setting.

INTER ARMA‘s music resists generalization and categorization, but if there’s one thing that’s consistently true, it’s that the VA quintet possesses an unparalleled sense of scope. Few artists today accurately convey the complexity that INTER ARMA (Latin for “in times of war”) does – the band creates terrible and often hauntingly beautiful portraits of humanity through music that is deeply organic yet still mystical and modern. INTER ARMA are just as committed to the live circuit as they are to their records: the band has performed extensively throughout Europe and the US, sharing the stage with the likes of Kylesa, Baroness, Cough, Royal Thunder, Black Tusk, Ulcerate, Russian Circles, Windhand, and dozens of others. INTER ARMA‘s raw, uninhibited approach merges doom metal, psychedelic sludge, black metal, prog and more, and over the course of the last ten years, has established the band as a uniquely innovative force in contemporary extreme metal.

Founded in Richmond in 2006, the versatile and genre-defying five-piece released their debut full-length Sundown via Forcefield Records in 2010, and like all great artists, had a well-defined sound right from the start. Sundown found INTER ARMA widespread critical acclaim, and, combined with the band’s relentless touring schedule and DIY grit, quickly helped INTER ARMA make a name for themselves in the underground. Following Sundown, the band released the 12″ EP Destroyer via Toxic Assets Records. That record was strong enough to catch the attention of Relapse Records, who signed INTER ARMA later in 2012, and in 2013, the band unleashed the monolithic Sky Burial, a doomy, hour-long excursion through unpredictable textures and timbres. Just two years later, the band followed Sky Burial with The Cavern, a 45+ minute, single-song EP. Originally written during the summer of 2009, then slowly reworked and perfected, The Cavern was recorded in 2013 during breaks from the band’s non-stop tours. Both The Cavern and Sky Burial were widely hailed as some of the best records of their respective years and garnered INTER ARMA accolades from the likes of Pitchfork, NPR, Rolling Stone, and many other publications worldwide.

Two years after The Cavern, INTER ARMA are poised to return with their heaviest and most multifaceted work to date. Paradise Gallows is more than an hour of lush, colorful melodies and textures blended with the heaviness of the earth’s impending death. Like the band’s previous works, the new album Paradise Gallows is direct and foreboding while maintaining a nuanced, artful perspective. INTER ARMA‘s signature palette of dissonant high-end and abyssal low-end has been augmented with swathes of thick, impressionistic melody that lend Paradise Gallows a truly biblical sense of scale, both lyrically and in terms of the album’s sonic content. Harsh and acoustic passages (including the band’s first-ever foray into clean vocals) spar with complex rhythmic structures across nine sweeping tracks of expansive, progressive heaviness. The album was again recorded with Mikey Allred (Yautja, Hivelords) at Dark Art Audio in Nashville, and features gorgeous cover art by Orion Landau. Dense, funereal, and richly evocative, Paradise Gallows is a rich blend of doom, post-metal, sludge, and black and death metal, and is a singular and powerful new addition to the band’s already monumental discography.
Tooth
Tooth
It's true - they're getting back together for The Pinhook's 5 year anniversary! Tooth was the first non Troika band to ever play The Pinhook - and we thank them for ringing in our 5 year anniversary!

For a brief but brutal three years, Durham, N.C. five-piece Tooth slayed Triangle metal fans like no other. A thrashing, Southern-fried mix of pounding instrumentals and the scathing, sarcastic bark of J-Me Guptil, the band was better than most area metal outfits and hit harder than just about all of them. Having ended its run in late 2009, Tooth leaves behind the Animality EP and a split 12” with Philadelphia’s The Claw.

Check out some nice things that have been said about Tooth:

“A thundering herd of Bull City heavies, Tooth’s bludgeon is brisk and its vocals are vicious. Another notch in the increasingly proud belt of Southern metal, Tooth jabs eardrums like amplified jackhammers.” — Grayson Currin, Independent Weekly

“Riffs! Fucking riffs!” — Maximumrocknroll

“One of my favorite things I’ve heard all year. It’s metal, straight-up, but it subgenre-hops nicely, melding a fair amount of stoner/Sabbathy slow/low blooz with some gruff/hoarse thrash frenzy. The best part is the solos, which are awesome, short, and mixed down below the rest of the band so you gotta strain to hear them. Genius.” — Ross Grady, Trianglerock.com

“With its debut — best described as badass — Tooth digs into the legacy of Southern metal and hardcore, creating a searing sound akin to a burn from a deep-fryer, and ultimately the band creates its own brand of down-tuned, hell-bent monster.” — Bryan Reed, Diversions (The Daily Tar Heel)

“… as impressively diverse as the band’s palate on Animality may be, its strongest suit is the consistency of its low-slung and low-strung guitars. Front to back, the record’s got the detuned depth its panoramic girth deserves. In a year filled with Deep South pot-metal from Wilmington’s Weedeater and psych-heaviness from Savannah bands like Kylesa and Baroness, this record holds its own, boasting a lot of quality in 20 minutes.” — Robbie Mackey, Independent Weekly

Tooth is:

J-Me Guptill: Vocals
Rich James: Guitar
Ben Wilson: Guitar
Ryland Fishel: Bass
Noah Kessler: Drums
Bvnnies
Bvnnies is a blackened doom band from Durham and Raleigh NC. Equally formed from fits of rage, euphoria, and despair, Bvnnies is the obscenely loud soundtrack for gloom, hatred, and lucid dreaming.
Venue Information:
The Pinhook
117 W. Main St.
Durham, NC, 27701
http://thepinhook.com/