Rachel Baiman

Rachel Baiman

Kamara Thomas

Fri, October 12, 2018

Doors: 7:00 pm / Show: 8:00 pm

The Pinhook

Durham, NC

$10.00

This event is all ages

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Rachel Baiman
Rachel Baiman
In many ways, Shame, the new album from 27-year-old Nashville Americana songwriter and multi-instrumentalist Rachel Baiman, is an exploration of growing up female in America. “I wasn’t necessarily trying to write songs that would be easy to listen to,” Baiman says of the project, “I wanted to write about reality, in all of it’s terror and beauty.” From the title track about abortion politics, to love, sex, and abuse in relationships, to classism and inequality in her re-write of Andy Irvine’s working class anthem “Never Tire of the Road,” the album is ambitious in its scope, yet remains cohesive through Baiman’s personal perspective. Despite the serious subject matter, the overall feeling of the album remains light, with the tongue-in-cheek “Getting Ready to Start (Getting Ready)” and feel-good anthem “Let them Go To Heaven.” A departure from her stripped-down work with progressive folk duo 10 String Symphony, Shame is lush and varied in instrumentation and musical texture.

Inspired in equal parts by John Hartford and Courtney Barnett, Baiman’s influences span a wide range, but years spent playing traditional music shine through in the album’s firmly rooted sound. For recording and production, Baiman turned to the talents of Mandolin Orange’s Andrew Marlin. “At the time that I was writing the music for this record, I was listening to all North Carolina-made albums, including Mandolin Orange and the album Andrew produced for Josh Oliver (Oliver is also featured heavily on Shame).” Shortly after reaching out to Marlin, Baiman traveled to Chapel Hill, NC for three intensive days in the studio. “The energy was amazing,” Baiman says. “It became clear that we were making something really special that needed to be finished.”

Added to the musical intensity was the context of the material they were recording—namely, how the songwriting on Shame sits within the current American political climate. “I think what is happening in the country right now has really shifted my career priorities, and brought the folk music community together. We are all suddenly seeing our purpose come into focus, and feeling a renewed responsibility to be a voice of unity and resistance.” In addition to the release of her new solo album, Baiman is the co-founder of a new political group called Folk Fights Back, a musician-led national organization that puts together benefit concerts and awareness events in response to the Trump administration.

Baiman is no newcomer to activism. Raised in Chicago by a radical economist and a social worker, she was surrounded by social justice issues her entire life. “If I wanted to rebel against my parents I could have become a finance banker or a corporate lawyer” she says of her childhood. While her classmates went to church or temple on Sunday mornings, Baiman attended the Ethical Humanist Society of Greater Chicago, a non-religious community formed around discussions of morality and current events. “That was always a tough one to explain at school” she says with a laugh.

As a teenager, Baiman found music to be a welcome escape from worrying about global politics. “I often found the constant discussion of seemingly unsolvable problems to be intense and overwhelming, and when I moved to Nashville to pursue music it felt like something positive, beautiful and productive that I could put into the world. Now that I’ve had some years to devote to music,”—Baiman has been recording and touring internationally for the past 4 years with 10 String Symphony, and has played fiddle for numerous other artists including Kacey Musgraves and Winnipeg folk band Oh My Darling—“I find it hard to escape from the values that I grew up with, and I feel compelled to write politically, to speak out about things that I’ve experienced or seen. Songwriting is a unique opportunity to do that, because it avails a more emotional vehicle for discussion. I love the political tradition of folk music, from Woody Guthrie to Tupac, and my hope is that this record adds another voice to it.”
Kamara Thomas
Kamara Thomas
"Born in Chicago to a hippie-turned-born-again mother who only permitted her to listen to country/western out of the world of popular music, Kamara Thomas is a singer, songwriter and dramatist that logged time in Los Angeles and New York City. In the latter, Thomas honed her craft playing in power trio Earl Greyhound and twangy side project the Ghost Gamblers. (She also served as the driving force behind the weekly Honky-Tonk Happy Hour series at the Living Room on the Lower East Side.) Performing in the vicinity of her current Durham home with her ace band the Night Drivers, Thomas is working on her successfully crowdfunded debut Tularosa: An American Dreamtime, which explores the Mythic West through a song cycle about a forsaken plot of New Mexico land. It will be a culmination of the first august stage of a storytelling career from the little girl who once eagerly soaked up the voices of Dolly, Emmylou, Loretta Lynn and the 1970s outlaws."

-- Paste Magazine, "14 Artists Proving Black Americana is Real", Kandia Crazy Horse, 2017
Venue Information:
The Pinhook
117 W. Main St.
Durham, NC, 27701
http://thepinhook.com/